Sharing the Void. Letting it resonate, amplify, and fill with echoes and traces; putting it into resonance, articulating its frequencies. Between Sophia Dinkel and Marie Goudot – two dancers with different experiences and paths – a personal language has emerged: a way of relating – to each other and to space – that unfolds in the interstices; that diffracts, contracts, and constructs gateways of solitude alongside moments of junction, sedimentation, or vertigo. With the help of two electric guitars, their bodies attune and engage in the work. As a vehicle for their states, the guitar becomes a projection surface, alternately an imaginary support, a soundscape, and a poetic tool for vibratory expansion.

Starting from the blank page of the stage, Sophia Dinkel and Marie Goudot compose their movements as a counterpoint to absence, a response to invisibilization. Through a flow and ebb, they assert the score of a persistent vibratory presence. Their gestures harmonize with the layers of strings they manipulate, giving shape to the stories and questions that drive them – touching on the status of authorship and performer, the female body, and the relationship between dance and memory. A moving concert and sonic choreography, where the slightest gesture brings forth voices, rhythms, and refrains, Sharing the Void interweaves the visual, physical, and mental spaces.

Performers and Choreographers
Marie Goudot & Sophia Dinkel
Artistic Advisors
Michael Pomero & Julien Monty
Musical Dramaturgy
Tom Pauwels (Ictus)
Sound Design & Live Performance
Fred Jarabo
Lighting Design
Quentin Maes
Outside Eye
Julie Guibert

Production
LOGE 22, Youngsters

Executive production
Entropie Production

Co-production
CN D Centre national de la danse, CNDC d’Angers, Charleroi Danse, La Ménagerie de Verre

Support
Ictus, A Two Dogs Company,
With the support of the Fédération Wallonie-Bruxelles (Service Général de la Création Artistique - Service de la Danse)

Supported by Dance Reflections by Van Cleef & Arpels