Festival Africa is/in the future - La Raffinerie/Charleroi danse
Rue de Manchester 21, 1080 Bruxelles, Belgique
Iter is a transdisciplinary exploration weaving together dance, science fiction, storytelling, and Afrofuturist aesthetics to question our humanity and our possible futures. At the crossroads of technology and tradition, this performance immerses the audience in a dystopian universe where a...
Iter is a transdisciplinary exploration weaving together dance, science fiction, storytelling, and Afrofuturist aesthetics to question our humanity and our possible futures. At the crossroads of technology and tradition, this performance immerses the audience in a dystopian universe where a...
Iter is a transdisciplinary exploration weaving together dance, science fiction, storytelling, and Afrofuturist aesthetics to question our humanity and our possible futures. At the crossroads of technology and tradition, this performance immerses the audience in a dystopian universe where a...
Since the spring 2020, openoffice is an informal and free meeting open to all artists and cultural workers active in the performing arts in Brussels. Every first Monday of the month we meet to answer questions and exchange information about everything that is related in the development and...
Rue Notre-Dame-du-Sommeil 81, 1000 Bruxelles
Sharing the Void. Letting it resonate, amplify, and fill with echoes and traces; putting it into resonance, articulating its frequencies. Between Sophia Dinkel and Marie Goudot – two dancers with different experiences and paths – a personal language has emerged: a way of relating – to each other...
Rue Notre-Dame-du-Sommeil 81, 1000 Bruxelles
Sharing the Void. Letting it resonate, amplify, and fill with echoes and traces; putting it into resonance, articulating its frequencies. Between Sophia Dinkel and Marie Goudot – two dancers with different experiences and paths – a personal language has emerged: a way of relating – to each other...
For two decades, Vincent Glowinski has made Brussels the playground for a prolific street art practice—his works have become part of the city’s collective imagination. While he has never stopped painting, the artist has continuously sought to transcend his practice, notably through live...
For two decades, Vincent Glowinski has made Brussels the playground for a prolific street art practice—his works have become part of the city’s collective imagination. While he has never stopped painting, the artist has continuously sought to transcend his practice, notably through live...
For two decades, Vincent Glowinski has made Brussels the playground for a prolific street art practice—his works have become part of the city’s collective imagination. While he has never stopped painting, the artist has continuously sought to transcend his practice, notably through live...
Since the spring 2020, openoffice is an informal and free meeting open to all artists and cultural workers active in the performing arts in Brussels. Every first Monday of the month we meet to answer questions and exchange information about everything that is related in the development and...
Since the spring 2020, openoffice is an informal and free meeting open to all artists and cultural workers active in the performing arts in Brussels. Every first Monday of the month we meet to answer questions and exchange information about everything that is related in the development and...
Since the spring 2020, openoffice is an informal and free meeting open to all artists and cultural workers active in the performing arts in Brussels. Every first Monday of the month we meet to answer questions and exchange information about everything that is related in the development and...
Pt Rue des Brigittines 1, 1000 Bruxelles
How can we give form to the bond that unites two dancers? Beyond fantasies and projections, how can we shape all that is deposited, transmitted, and circulates in space when bodies move together? To explore this both intangible and intimate relationship, Michael Pomero and Marie Goudot drew from...
Pt Rue des Brigittines 1, 1000 Bruxelles
How can we give form to the bond that unites two dancers? Beyond fantasies and projections, how can we shape all that is deposited, transmitted, and circulates in space when bodies move together? To explore this both intangible and intimate relationship, Michael Pomero and Marie Goudot drew from...
Pt Rue des Brigittines 1, 1000 Bruxelles
How can we give form to the bond that unites two dancers? Beyond fantasies and projections, how can we shape all that is deposited, transmitted, and circulates in space when bodies move together? To explore this both intangible and intimate relationship, Michael Pomero and Marie Goudot drew from...
Pt Rue des Brigittines 1, 1000 Bruxelles
How can we give form to the bond that unites two dancers? Beyond fantasies and projections, how can we shape all that is deposited, transmitted, and circulates in space when bodies move together? To explore this both intangible and intimate relationship, Michael Pomero and Marie Goudot drew from...
Le Méta CDN, TAP de Poitiers, Festival À corps
2 Rue Neuma Fechine Borges, 86000 Poitiers, France
Sharing the Void. Letting it resonate, amplify, and fill with echoes and traces; putting it into resonance, articulating its frequencies. Between Sophia Dinkel and Marie Goudot – two dancers with different experiences and paths – a personal language has emerged: a way of relating – to each other...
Le Méta CDN, TAP de Poitiers, Festival À corps
2 Rue Neuma Fechine Borges, 86000 Poitiers, France
Sharing the Void. Letting it resonate, amplify, and fill with echoes and traces; putting it into resonance, articulating its frequencies. Between Sophia Dinkel and Marie Goudot – two dancers with different experiences and paths – a personal language has emerged: a way of relating – to each other...
How can we give form to the bond that unites two dancers? Beyond fantasies and projections, how can we shape all that is deposited, transmitted, and circulates in space when bodies move together? To explore this both intangible and intimate relationship, Michael Pomero and Marie Goudot drew from...
How can we give form to the bond that unites two dancers? Beyond fantasies and projections, how can we shape all that is deposited, transmitted, and circulates in space when bodies move together? To explore this both intangible and intimate relationship, Michael Pomero and Marie Goudot drew from...
La Raffinerie - Charleroi Danse
Rue de Manchester 19 - 1080 Molenbeek
Since the spring 2020, openoffice is an informal and free meeting open to all artists and cultural workers active in the performing arts in Brussels. Every first Monday of the month we meet to answer questions and exchange information about everything that is related in the development and...
Since the spring 2020, openoffice is an informal and free meeting open to all artists and cultural workers active in the performing arts in Brussels. Every first Monday of the month we meet to answer questions and exchange information about everything that is related in the development and...
With only a few tools – a table, a desk light, a camera, paper and china ink – Vincent Glowinski tells us a story to the subtle, narrative and sophisticated sound of Teun Verbruggen drums. As the piece begins, the illustrator dances. It’s not only his brush that moved, his body is also in...
Martine, a farmer for fifty years, works hard with no leisure and no rest. One day, while driving her tractor, she hears a philosophy programme on the radio that will have a profound effect on her. This is the beginning of a journey of emancipation that, thanks to reading, will lead her to change...
“VIEIL” (“OLD”) is a solo performance. The environment is all white, there is a faint harmonium music. The actor draws with charcoal the story he’s telling us. It is the story of an old giant, an old continent that carries his axe on his shoulder. An old continent, it is a bit like an old giant:...
“Cratère n°6899” is approx. 30 min long. A comet crashed on Planet Earth; it formed a crater and a number of transformations follow. The landscape changes constantly as the performance unravels. “Cratère n°6899” is the first step of the “A.G.U.A.” project.
Concept and direction: Gwendoline...
With only a few tools – a table, a desk light, a camera, paper and china ink – Vincent Glowinski tells us a story to the subtle, narrative and sophisticated sound of Teun Verbruggen drums. As the piece begins, the illustrator dances. It’s not only his brush that moved, his body is also in...
Office: P.A.C.O. (Pôle d’Accompagnement Collaboratif et Ouvert) - 17 rue de Manchester 1080 Molenbeek-Saint-Jean