Pteudon is the name given to a sculpture I made in 2016. I made this work for the Mater Museum exhibition, where I mixed my mother’s sculptures with my own. The Pteudon, which had no name at the time, was a key figure in the exhibition. Its pointed beak is like an arrow that crosses generations....
An audiovisual encounter between ambient composer Natasha Pirard and street artist & ‘image creator’ Vincent Glowinski (a.k.a. Bonom). In an improvisational performance, they take you on an electrifying journey of composition, movement, light and contrast. This poetic Blind date is the result...
Les Brigittines, Objectif Danse
Pt Rue des Brigittines 1, 1000 Bruxelles
Solo: Life is not useful (or it is what it is) (Création - November 2023) In the search for philosophical and choreographic insight around the marvellous, Bruno Freire came across Ailton Krenak, one of the most important political voices of contemporary Brazil, a recent member of the Brazilian...
Iter is a transdisciplinary exploration weaving together dance, science fiction, storytelling, and Afrofuturist aesthetics to question our humanity and our possible futures. At the crossroads of technology and tradition, this performance immerses the audience in a dystopian universe where a...
Iter is a transdisciplinary exploration weaving together dance, science fiction, storytelling, and Afrofuturist aesthetics to question our humanity and our possible futures. At the crossroads of technology and tradition, this performance immerses the audience in a dystopian universe where a...
Rue Notre-Dame-du-Sommeil 81, 1000 Bruxelles
Sharing the Void. Letting it resonate, amplify, and fill with echoes and traces; putting it into resonance, articulating its frequencies. Between Sophia Dinkel and Marie Goudot – two dancers with different experiences and paths – a personal language has emerged: a way of relating – to each other...
Rue Notre-Dame-du-Sommeil 81, 1000 Bruxelles
Sharing the Void. Letting it resonate, amplify, and fill with echoes and traces; putting it into resonance, articulating its frequencies. Between Sophia Dinkel and Marie Goudot – two dancers with different experiences and paths – a personal language has emerged: a way of relating – to each other...
For two decades, Vincent Glowinski has made Brussels the playground for a prolific street art practice—his works have become part of the city’s collective imagination. While he has never stopped painting, the artist has continuously sought to transcend his practice, notably through live...
For two decades, Vincent Glowinski has made Brussels the playground for a prolific street art practice—his works have become part of the city’s collective imagination. While he has never stopped painting, the artist has continuously sought to transcend his practice, notably through live...
For two decades, Vincent Glowinski has made Brussels the playground for a prolific street art practice—his works have become part of the city’s collective imagination. While he has never stopped painting, the artist has continuously sought to transcend his practice, notably through live...
Since the spring 2020, openoffice is an informal and free meeting open to all artists and cultural workers active in the performing arts in Brussels. Every first Monday of the month we meet to answer questions and exchange information about everything that is related in the development and...
Initiated by the Center in 2020 is dedicated to sound and radio works. It is deployed at the rate of 3 editions per season. The programming of this cycle is ensured by a carte blanche, granted for this first edition to Aurélie Brousse.
Effraction is an invitation to discover the Belgian...
In Vacances vacance, Ondine pays tribute to all the moments where we are not exactly where we should be, because we are late, elsewhere, on vacation or aside of our body. It’s an observation of what is not here, now, but that may have been earlier or somewhere else. The piece goes back and forth...
From 2019 to 2022, Samuel Hackwill and Mathilde Maillard invent an online platform for a community of anonymous players. In 2023, they invited Thomas Bris, a typographer, to collaborate on the asynchronous version of Petit milieu. In this new area of the Guichet du club travail, web users are...
"What does your safe place* look like?"
Hello world is an autonomous technological installation in which Maxime Arnould and a drone coexist. Welcome to a programmed world that responds to our emotions. Through this piece, Maxime Arnould confronts his fear of drones and their double identity...
Office: P.A.C.O. (Pôle d’Accompagnement Collaboratif et Ouvert) - 17 rue de Manchester 1080 Molenbeek-Saint-Jean